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Sisley first moved with his family to Veneux-Nadon near Moret-sur-Loing in 1880, and continued to live in that area for the rest of his life, moving several times between the two villages. In March 2017, Sisley’s painting Effet de neige à Louveciennes (1874) achieved $9,064,733 at Sotheby’s Impressionist & Modern Art Evening Sale in London, setting the record price paid for a work by the artist.Painted in 1885, Les Bords du Loing à Saint-Mammès depicts the landscape around the small village situated at the confluence of the rivers Seine and Loing, just north of Moret-sur-Loing. Today, the artist’s works can be found in the collections of numerous museums including the Musée d’Orsay in Paris, the Art Institute of Chicago, the National Gallery in London and the Neue Pinakothek in Munich. Sisley passed away on 29 January 1899 in Moret-sur-Loing as a result of throat cancer he was age 59. The local scenery offered a constant source of inspiration to the artist, who tried to capture the relationship between land, water and sky as well as the changing effects of light on his surroundings. There, he’d continue to live for the rest of his life, moving several times between the two villages. In 1880, Sisley moved with his wife, Eugénie Lesouezec, and their two children to Veneux-Nadon near Moret-sur-Loing. He spent the rest of his life in relative poverty, with his oeuvre only achieving its current market value after his death.įor the final three decades of his life, Sisley remained focused on refining and perfecting his Impressionist-style landscapes. From that point forward, Alfred, who’d long received a weekly allowance from his father, was forced to rely on sales of his artwork for income. The onset of the Franco-Prussian War in 1870 led to the failure of William Sisley’s silk business. In 1868, a group of Sisley’s paintings were selected for exhibition at the annual Paris art show, but the occasion failed to bring critical success. The style, which came to be known as Impressionism, went against the established artistic standards of the period, and artworks completed by members of the group and their followers were usually rejected from the Salon. Sisley’s fellow classmates included Pierre-Auguste Renoir, Frédéric Bazille and Claude Monet together, the group would travel to the French countryside to paint landscapes en plein air, intent on capturing the transient effect of sunlight with more realism than had previously been practiced. After four years, Sisley returned to Paris and, in 1862, began a course of study at the École des Beaux-Arts under the tutelage of Swiss artist Charles Gleyre. Sisley, however, didn’t take well to the profession instead of attending classes, he’d often opt to visit the city’s museums. In 1857, when Sisley was age 18, his father sent him to London to study business. Alfred Sisley was born 30 October, 1839 in Paris, France, to an affluent English family Sisley’s father, William, owned a silk exportation business and his mother, Felicia Sell, was a music connoisseur.